Happy Days Are Here Again Japanese Mash
The airplane pilot episode of M*A*S*H (titled "M*A*S*H – The Pilot") was originally broadcast on Dominicus, September 17th, 1972. It set the tone for adjacent 250 episodes, both thematically and musically. The theme song to the serial, "Suicide is Painless," is used 6 times during the episode, including the main titles and end credits.
What follows is a breakdown of all of the music heard in the episode, taken from the official cue sheet prepared past the Twentieth Century-Pull a fast one on Moving picture Corporation legal section, dated August 24th, 1972.
The episode opens with a short teaser. Hawkeye and Trapper are playing golf, Hot Lips and Frank are playing footsie, Father Mulcahy is taking a nap, etc. Playing in the background is "My Blue Heaven," written past Walter Donaldson and George Whiting and published by Leo Feist, Inc.
Heed to a Portion of "My Blue Heaven"
"M*A*South*H – The Pilot"
The teaser ends when Radar, who is playing football game, realizes that choppers are on their way. The master titles begin, with a special long version of "Suicide is Painless," written past Johnny Mandel (Mike Altman is credited as well in the cue sheet, although his lyrics aren't used). This, and all other versions of "Suicide is Painless," was published by 20th-Century Music Corp.
Listen to a Portion of the Main Championship (M*A*S*H Theme)
"M*A*S*H – The Pilot"
After the main championship ends, another version of "Suicide is Painless" is played over boosted credits (written and developed for television past Larry Gelbart, produced and directed by Gene Reynolds) as a transition into the first scene of the episode, fix in the O.R.
Listen to a Portion of "Suicide is Painless"
"One thousand*A*S*H – The Pilot"
The next piece of music is another version of "Suicide is Painless," this i slower and with horns, played during the montage when Hawkeye flirts with Lieutenant Dish.
Mind to a Portion of "Suicide is Painless"
"Thousand*A*S*H – The Pilot"
During the scene in which Eagle, Trapper and others bid goodbye to Colonel Blake and Leslie Scorch as the two board a chopper, "Happy Days Are Here Again" plays in the background. It was written by Milton Ager and Jack Yellen and published by Robbins Music Corp. This particular slice of music is supposed to be coming from the camp's loudspeaker.
Listen to a Portion of "Happy Days Are Here Once more"
"M*A*Due south*H – The Pilot"
The aforementioned scene continues with an declaration being read over the P.A. system, interrupting "Happy Days Are Here Again." The proclamation states that all duty shifts will be confined to duty the following night (when Hawkeye and Trapper's political party and raffle is supposed to take place). When information technology ends, "Happy Days Are Here Again" begins playing again, at least until Hawkeye throws a stone at the loudspeaker.
Listen to a Portion of "Happy Days Are Here Once again"
"Thou*A*S*H – The Airplane pilot"
All the same another version of "Suicide is Painless" is played when Hawkeye and others knock out Frank with a sedative. It begins just every bit Ginger reveals the syringe in her hand. This version is again slower than the master titles.
Mind to a Portion of "Suicide is Painless"
"Thousand*A*S*H – The Pilot"
At Hawkeye and Trapper's party a piece called "Darktown Strutter's Brawl" plays while various people conversation and dance. It was written by Shelton Brooks with Japanese words by Yoshiaki Murakami and published by Leo Feist, Inc. This is a lengthy scene that includes Hot Lips confronting Hawkeye over Frank'due south disappearance.
Listen to a Portion of "Darktown Strutter's Ball"
"M*A*S*H – The Pilot"
After Hot Lips places a call to Full general Hammond and begins looking for Frank with a flashlight, Radar tries to go a wait at the winning raffle ticket at the party. "Chattanooga Choo-Choo," with words in Japanese," is playing in the background. The song was written past Harry Warren and Mack Gordon and published by 20th-Century Music Corp. There is no mention in the cue canvas of who wrote the Japanese lyrics.
Notation: I tin can't exist sure if this scene actually has "Chattanooga Choo-Choo" playing in the background or whether it is a continuation of "Darktown'due south Strutter'due south Ball." It sounds sort of like "Chattanooga Choo-Choo" only I'one thousand just don't know. This is the only function of the episode where "Chattanooga Choo-Choo" could possible be included, as far as I tin tell.
Mind to a Portion of "Chattanooga Choo-Choo"
"M*A*Southward*H – The Pilot"
The episode ends with Hawkeye and Trapper handcuffed together and walking through the camp. "Japanese Farewell Song (Sayonara)" plays in the background. It was written by Hasegawa Yoshida with English lyrics past Freddie Morgan and published by Mills Music.
Listen to a Portion of "Japanese Farewell Vocal (Sayonara)"
"M*A*S*H – The Pilot"
The episode's tag scene is a recap of Grand*A*S*H's bandage of characters. The principal championship is played during this scene.
Heed to a Portion of the Main Title (M*A*Due south*H Theme)
"M*A*S*H – The Pilot"
The tag transitions into the end credits, another version of "Suicide is Painless."
Listen to a Portion of the End Credits (Thou*A*S*H Theme)
"M*A*S*H – The Pilot"
Following the end credits is the 20th-Century Trick identification/trademark. It was written past Alfred Newman only I'one thousand non including information technology here.
Published February 28th, 2010
Revised December 24th, 2019
Source: https://www.mash4077tv.com/music/breakdowns/mash-pilot/
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